

Turn Snap off for greater precision in making edit cuts. The actual process of editing the wanted audio into a coherent narration can be a huge task. You don’t generally need bandwidth up to 20kHz for the spoken word.
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Insert basic high‑pass filtering with Pro EQ or Fat Channel to get rid of thumps and excessive proximity effect, and use low‑pass filtering to reduce fan noise and other high‑frequency garbage if present. Shorter values can cut off quiet details, such as the end of a ‘t’ sound after the main transient, that are more noticeable in narration than in a sung vocal with a band.Īfter chopping, delete events that are obviously undesirable noises: paper rattling, throat‑clearing and so on. Use generous Pre‑roll and Post‑roll settings I’ve often used 500ms or more. Set the Minimum length parameter to 1 second, the longest value available. The Strip Silence command is one quick way to cut up narration. Cutting narration into chunks facilitates handling both of these circumstances, but longer chunks make a better jumping‑off point than events of only half a sentence. It is exceedingly rare for a narration track to get used without edits, and one sometimes encounters level and tone changes across the narration in a project. As always, the quality of the raw recordings is key to the final result, but that discussion is beyond the scope of this little column. There can be a lot of variation in the nature of projects, the narrator’s voice, the recording equipment and the recording environment, so no hint can fit all situations. This month I will give some tips to help you get great narration tracks for your projects. There are a few tasks, such as noise removal, that may require third‑party plug‑ins, but Studio One’s bundled processors are adequate for handling pretty much everything else. Working with narration is different from dealing with sung vocals, but Studio One is well equipped. there is a lot of audio‑only work around today that focuses on the spoken word.

Podcasts, radio drama, audiobooks, news stories. We offer some tips on working with speech in Studio One. Strip Silence can be a quick way to chop up narration, but it takes fiddling around to get the settings right, and some amount of adjustment will be needed to events as you proceed with editing.
